hahahaha. I cannot stop doing this. I don't, I don't. And all of these are examples we students, with no sleep, no social life and food, can achieve within a week. Okay, at least by the end of semester. It's possible. I think.

MK12 // Funkstorung: Sleeping Beauty from MK12 on Vimeo.

Nando Costa, I love you, you're one of the earliest modern father of motion graphics (p.o.v), and you started with slicing layers and animating piece by piece in Flash:

"My Red Hot Car" for Squarepusher from Nando Costa on Vimeo.

and now?

you just killed me with this.

"Attract" for Zune from Nando Costa on Vimeo.

WHAT THE HELL. I LOVE THE LIQUID FLOW OF EACH TYPE TRANSITION!!
EVERYTHING IS WAY TOO SMOOTH! HOW CAN I TOP YOU LIKE THIS??!?

....So I once knew a teacher who knows Costa. Apparently Costa is already married, so... it looks like I've to go back to the drawing board. You know, actually working hard.

The Brockmann Remix.

Okay, final post for this week. Then I'll stop.

God I hope all of you know who Josef Müller-Brockmann is. He was a Swiss graphic designer, famous for his grid-like, clean and very simplistic work for concert posters in the 50's. And he used my favourite typeface too! Akzidenz-Grotesk! Mother of Helvetica! His sense of style was very, well... Swiss-like. Everything is in order and within the ruler, or the grid. Even when it was tilted diagonally. He also used solid colours and basic shapes to emphasize on the meaning or information of his visuals. While my style is usually more messy, inorganized and way too... "experimental", I will always appreciate something which I find difficult to achieve. The Brockmann style.

Some of his works (to refresh your tired memory):










Remember now? No? I know, my history book is hidden somewhere in the closet too. That's why I can't really provide more information on these posters hahahahaha- ahem.


Gary Butcher, an animator from the UK took it a step further. He took Brockmann's posters apart, piece by piece, converted them into individual layers, and then animated them as smoothly as possible. The transitions from one poster to another were flawless. I absolutely enjoyed how he manage to balance the footage with type on it (very Tibor Kalman, very 90's) according to the music. So if you are thirsting for motion graphics typography for the past 4 weeks, here's something for you to drink on:



follow original link here (.mov file): http://dvblog.org/movies/04_2006/josefmullerbrockmann.mov


You KNOW san serifs will never do wrong. Song is 'Soulhack' by Forss *downloads it*


Enjoy watching it and selamat malam (good night)!

Particle-ly

I feel like on a url!spam here. Suddenly there is a surge of sweet, motion memories returning to the small shell which I call head and I had to put everything down here before... before... before I get lazy to blog again hahaahhah

M83 - We Own the Sky from David Altobelli on Vimeo.

I LOVE the band M83, which proves the pinnacle of my closet hipsterhood, but their videos are always, always, always about angsty teenagers in 80's get up. This take on the video (I think m83 had a video competition for this song) was more abstract, modern and has more techno feel to it. I am stunned by the beauty (artistically and technically) of the blanket of light moving gracefully like water, but I am still trying to figure out what the hell are the swinging bulbs and the dude in black about.

Wait for the climax of this song. It was composed so beautifully, like a burst of emotions coming from a person. The visuals even nailed it!

Not much info on David Altobelli (director), or Dan Norton(animator). Altobelli's website explained little of him, perhaps he would prefer his portfolio to reflect him more than explosive Flash or crazy graphics we tend to see on designers' website (cough mine cough). I don't know how hard is to google Dan Norton without getting Ed surface from the results (you irresistable sexy beast Ed Norton you!)-

Okay, I lied. Here's Dan's website. I just needed an excuse to mention Ed anddddd Fight Club after that.

I understood the particles were generated by a plug-in (I lost count from the video) in After Effects, but it looked like there was massive rendering to do! My laptop would have melted on the 'render' button alone!!!


Listen, I've gone through particles before. I had only 3 motion graphics classes during undergrad, and wham! I had this 'brilliant' confidence to resort to that medium for my Senior Thesis. But that was 2 years ago. See my work for proof of Ummi's particle experience:

Yea, um. I hope the video shows up. Don't laugh. I've tried my hand on this, okay?

Sansula

I love electronic music of all levels, especially drum and bass (makes my ears pop in a good way), and you have to thank the Europeans for that. For Dominik Eulberg's video, Sansula, directed by Dirk Rauscher of Bruno Tait (VJ Team). A sansula is a type of instrument from kalimba made from flattened metal on wooden box. Eulberg must have used the instrument as the main composition of his song, which evokes a xylophone-y, ethereal like sound. I call it 'ethereal' because it feels... pure? You can ignore me now.

Before we begin, this is a kalimba:


And this is a sansula:



Kinda looks like en eggslice, of which I used to play as a harp. After enjoying the salad.



Dominik Eulberg's Sansula

SANSULA Dominik Eulberg musicvideo from dirk rauscher on Vimeo.

I absolutely love the simplicity of this video. It was simply a projection on to the trees, combining nature and technology together. Obviously Rauscher prepared the colourful animation beforehand, but it wasn't the technical or visual detail from it that was mesmerizing, but how light fell on to each leaves, stem, branches and flowers. GORGEOUS.



I believe I've just got a great idea for an outdoor party.

HAPPY BIRTHDAY TO ME!

I am 25 now.

1984 was the birth of Transformers, Teenage Mutant Ninja Turtles and The Ghostbusters. SO WE OWN YOU. IMAGINE LIFE BEFORE 1984. HOW WAS IT? BORING, RIGHT? Michael Bay wouldn't be rich if it weren't for 1984, people would still ignore turtles and as for ghosts? They... would still be as scary.

As a gift for myself, I'd like to ask you. What do you get, when you take...



with

?


You get this:




This intense marriage between two- wait, THREE of my favourite things (saul bass, star wars and swing music) were done so tastefully that I simply cannot deny its existence. I LOVE IT. I wish I knew more details of this animator (his youtube account doesn't say much), but obviously he used Bass' papercut animation style to portray the opening titles, according to the tempo. Not that I said style not technical style. This is definitely achievable in flash or after effects. I can see the inspiration coming especially from The Man with The Golden Gun:




This style has inspired many, especially opening/ending titles for recent films like 'Catch Me If You Can" (we all know how it looks like so I don't have to show it to you guys okaaayyyy) and The Incredibles. It appears at every trumpet blare with great timing, and followed so closely to the stamp on titles of the 60's era. Can you imagine how it was back then, to animate opening titles frame by frame? After Effects has spoiled us all, and yet we are pushing ourselves further with the technology we have!!!!

Since it's raining like crazy here on Sunday, I am just going to shove the cheesecake into my mouth and cry myself to sleep...

EVERYBODEHHH

CAN I STEAL THIS FOR MY MOTION GRAPHICS BUSHWICK PROJECT PLEASE, CHRISTIE?

street tests from Najork on Vimeo.

I promise I will bathe it and feed it and love it and....


Okay, there is no way I can achieve this technically, with my SUPERB A.E skills /sarcasm, but motion tracking is something difficult to control. Obviously Najork used a single program (or plugin?) to master these effects, but he/she (ze?) managed to throw in an internet meme* at the end!

The footage of this video and 3D artwork combined strongly what Bushwick is about. Even though I DON'T think it's Bushwick at all...


I am horribly inspired! Horrible because I can get a little too ambitious.

*The term Internet meme (pronounced /ˈmiːm/, meem, rhyming with "cream"^[1]) is a phrase used to describe a catchphrase or concept that spreads quickly from person to person via the Internet, much like an esoteric inside joke.^[2] The term is a reference to the concept of memes, although this concept refers to a much broader category of cultural information.

via Wikipedia.

p/s: if you don't know what a meme is, give the internets to someone else who might appreciate it.

pp/s: I know. WIKIPEDIA IS ZOMG RELIABLE SOURCE! /sarcasm

Bloody Type

Symphony in Red by Sehsucht from inii kim on Vimeo.

I know designers usually notice details visually on print, film, or whatever and get a little critical on the colour balance, typography or even the layout. It is definitely obvious if the aesthetics of a poster or film titles are successful, but what captures my attention more is the sound or music that goes with it.

That's why I end up watching Star Trek three times already! Okay, Spock's got to do with it, but...


I love doing motion graphics, and from my experience (both professional and educational) it is always easier to animate something based on a ready-tempo. Oh to animate to your favourite song is always an emotional journey! Then again I am a little too emo these days ahahahah

This is one of my favourite motion/animated pieces, and it's by German post-production company Sehsucht GmbH* and music composed by the genius Turkish pianist, Fazil Say. I could say it was a perfect marriage solely between footage and after effects, but to achieve a more specific (floral) shapes of the blood drops definitely requires a 3D program or two!


Enjoy Symphony in Red for Konzerthaus Dortmund!

GmbH is Gesellschaft mit beschränkter Haftung, a legal entity similar to LLC, Private Limited or &co.

Motion Mojo

My first design blog. Actually, it's for class. It's a good outlet from my spamming design links on facebook, and not cramming my bookmarks too much!

I don't know what got into me when I decided to jump into the motion/broadcast industry after graduation, with weak knowledge of animation but enough for print, but I absolutely love it! While working/freelancing/interning from one place to another (I did two places actually, hahah!) everyone would swear by Creative Cow and Motionographer.






Best place for inspiration, updates on latest commercials, campaigns, shorts or even student projects that goes around the motion worrrrrld! Justin was a grad student from... SCAD and now walks humbly amongst us in the city, as the editor-in-chief of this famous blog and interactive designer here and there. I am not ashamed to admit I rely on him not only for design and creative ideas, but for jobs and internships.


I will update more on this later.